Difference between revisions of "Henry Aldrich 1648-1710"
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====Biographical Note==== | ====Biographical Note==== | ||
| − | Born at [[place of birth:: | + | Born at [[place of birth::Westminster]], son of Henry Aldrich, [[occupation::clerk]] to [[associates::John, 1st Baron Berkeley]]. BA [[education::Christ Church, Oxford]] 1666, MA 1669, BD and DD 1682; spent his entire career based at [[organisations::Christ Church, Oxford|Christ Church]], where he became a [[occupation::tutor]] until appointed to a [[occupation::canon|canonry]] in 1682, and [[occupation::dean|Dean]] in 1689. [[occupation::Vice-Chancellor]] of [[organisations::University of Oxford|Oxford]], 1692-95. He was active in ecclesiastical politics as a member of the lower house of Convocation. |
| − | Aldrich was a skilled [[occupation::musician]] who composed numerous catches and service settings, and he organised weekly music meetings in his rooms. He experimented with music printing in the 1690s. He also practised [[occupation::architect|architecture]], and designed a number of [[location::Oxford]] buildings including Peckwater Quad in [[organisations::Christ Church, Oxford|Christ Church]], and | + | Aldrich was a skilled [[occupation::musician]] who composed numerous catches and service settings, and he organised weekly music meetings in his rooms. He experimented with music printing in the 1690s. He also practised [[occupation::architect|architecture]], and designed a number of [[location::Oxford]] buildings including Peckwater Quad in [[organisations::Christ Church, Oxford|Christ Church]], and All Saints Church. His [[book title::''Artis logicae compendium'']] ([[date of publication::1691]]) became a standard textbook in [[organisations::University of Oxford|Oxford]] until the 19th century; he published a number of other small works and contributions to theological debate. |
====Books==== | ====Books==== | ||
| − | Aldrich [[bequest::bequeathed]] his library and other collections to [[beneficiary::Christ Church, Oxford|Christ Church]] (ca. 3000 books, 8000 pieces of music, and 2000 engravings), with duplicates not wanted by the College given to his [[beneficiary::nephew]] Charles. A new room was built at one end of the college library in 1712 to accommodate them. The books include significant holdings in [[subject::theology]], [[subject::classics]], [[subject::literature]] and [[subject::poetry]], [[subject::architecture]], [[subject::drawing and perspective]], [[subject::travel]] and [[subject::geography]], and a number of | + | Aldrich [[bequest::bequeathed]] his library and other collections to [[beneficiary::Christ Church, Oxford|Christ Church]] (ca. 3000 books, 8000 pieces of music, and 2000 engravings), with duplicates not wanted by the College given to his [[beneficiary::nephew]] Charles. A new room was built at one end of the college library in 1712 to accommodate them. The books include significant holdings in [[subject::theology]], [[subject::classics]], [[subject::literature]] and [[subject::literature|poetry]], [[subject::architecture]], [[subject::art|drawing and perspective]], [[subject::travel]] and [[subject::geography]], and a number of Quaker and Civil War. He acquired material from the collections of [[crossreference::Christopher Hatton]], 1st Baron Hatton ca.1670, including important [[subject::music|musical]] scores. His [[format::engravings]], held in 30 portfolios and assembled ca.1680-1700, constitute one of the earliest surviving English collections in this field. Most of his letters and personal papers were destroyed after his death, following his instructions, so little archival evidence on the formation of the library survives. |
====Characteristic Markings==== | ====Characteristic Markings==== | ||
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====Sources==== | ====Sources==== | ||
<div id="sourcelist"> | <div id="sourcelist"> | ||
| + | *Baker, Christopher, The Aldrich prints: a late seventeenth-century collection, in E. Cheney (ed), ''The evolution of English collecting'', New Haven & London, 2003, 396-426. | ||
*Handley, Stuart. [https://doi.org/10.1093/ref:odnb/314 "Aldrich, Henry (1648–1710), dean of Christ Church, Oxford."] ''Oxford Dictionary of National Biography''. | *Handley, Stuart. [https://doi.org/10.1093/ref:odnb/314 "Aldrich, Henry (1648–1710), dean of Christ Church, Oxford."] ''Oxford Dictionary of National Biography''. | ||
*Hiscock, W. ‘Henry Aldrich, book-collector, musician, architect’ and ‘The Aldrich engravings’ in his ''A Christ Church miscellany'', 1946, 17-30, 31-37. | *Hiscock, W. ‘Henry Aldrich, book-collector, musician, architect’ and ‘The Aldrich engravings’ in his ''A Christ Church miscellany'', 1946, 17-30, 31-37. | ||
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[[Category:Monograms and Ciphers]] | [[Category:Monograms and Ciphers]] | ||
[[Category:Libraries Bequeathed to Institutions]] | [[Category:Libraries Bequeathed to Institutions]] | ||
| + | [[Category:All Owners]] | ||
Latest revision as of 07:43, 26 April 2021
Henry ALDRICH 1648-1710
Biographical Note
Born at Westminster, son of Henry Aldrich, clerk to John, 1st Baron Berkeley. BA Christ Church, Oxford 1666, MA 1669, BD and DD 1682; spent his entire career based at Christ Church, where he became a tutor until appointed to a canonry in 1682, and Dean in 1689. Vice-Chancellor of Oxford, 1692-95. He was active in ecclesiastical politics as a member of the lower house of Convocation.
Aldrich was a skilled musician who composed numerous catches and service settings, and he organised weekly music meetings in his rooms. He experimented with music printing in the 1690s. He also practised architecture, and designed a number of Oxford buildings including Peckwater Quad in Christ Church, and All Saints Church. His Artis logicae compendium (1691) became a standard textbook in Oxford until the 19th century; he published a number of other small works and contributions to theological debate.
Books
Aldrich bequeathed his library and other collections to Christ Church (ca. 3000 books, 8000 pieces of music, and 2000 engravings), with duplicates not wanted by the College given to his nephew Charles. A new room was built at one end of the college library in 1712 to accommodate them. The books include significant holdings in theology, classics, literature and poetry, architecture, drawing and perspective, travel and geography, and a number of Quaker and Civil War. He acquired material from the collections of Christopher Hatton, 1st Baron Hatton ca.1670, including important musical scores. His engravings, held in 30 portfolios and assembled ca.1680-1700, constitute one of the earliest surviving English collections in this field. Most of his letters and personal papers were destroyed after his death, following his instructions, so little archival evidence on the formation of the library survives.
Characteristic Markings
Ca. 100 volumes of Aldrich’s music are more or less uniformly bound and stamped with a monogram. A handwritten HA monogram is found in at least one of his music books. A number of his books (ca. 50?) are in noticeably fine contemporary gold-tooled red goatskin bindings, evidently commissioned by Aldrich.
Sources
- Baker, Christopher, The Aldrich prints: a late seventeenth-century collection, in E. Cheney (ed), The evolution of English collecting, New Haven & London, 2003, 396-426.
- Handley, Stuart. "Aldrich, Henry (1648–1710), dean of Christ Church, Oxford." Oxford Dictionary of National Biography.
- Hiscock, W. ‘Henry Aldrich, book-collector, musician, architect’ and ‘The Aldrich engravings’ in his A Christ Church miscellany, 1946, 17-30, 31-37.
- Hiscock, W. Henry Aldrich of Christ Church, 1960.
- Suttle, E. ‘Henry Aldrich, Dean of Christ Church’, Oxoniensia 5 (1940), 115-39.